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Our Privacy Policy explains our principles when it comes to the collection, processing, and storage of your information. This policy specifically explains how we employ cookies, as well as the options you have to control them.
Cookies are small pieces of data, stored in text files that are stored on your computer or other device when websites are loaded in a browser. They are widely used to "remember" you and your preferences, either for a single visit or for multiple repeat visits
We use cookies for a number of different purposes. Some cookies are necessary for technical reasons; some enable a personalized experience for both visitors and registered users; and some allow the display of advertising from selected third party networks.
Visitors may wish to restrict the use of cookies or completely prevent them from being set. If you disable cookies, please be aware that some of the features of our service may not function correctly
We only collect information about you if we have a reason to do so-for example, to provide our services, to communicate with you, or to make our services better.
We are committed to maintaining the trust and confidence of our website visitors. We do not collect, sell, rent or trade email lists or any data with other companies and businesses. Have a look at our Privacy Policy page to read detail information on when and why we collect your personal information, how we use it, the limited conditions under which we may disclose it to others and how we keep it secure.
We may change Cookies and Privacy policy from time to time. This policy is effective from 24th May 2018.
Animals is Pink Floyd's tenth studio album, released in January 1977. It is a concept album that contains a scathing critique of the socio-political conditions in late 1970s Britain and represents a marked change in musical style from their earlier work. Animals was recorded at the band's studio, Britannia Row, in London, but production was interrupted by the first signs of dissent, which culminated in keyboardist Richard Wright leaving the band a few years later. The album's cover image, a pig floating between two chimneys at Battersea Power Station, was conceived by bassist and writer Roger Waters and photographed by longtime collaborators Hipgnosis.
The album was released in the UK, where it reached #2, to generally positive reviews. It was also a success in the United States, where it reached #3 on the Billboard 200, and although it only spent six months on the American charts, steady sales have led to it being certified four times platinum by the RIAA.